老人在被砍伐的橡膠園中醒來，卻發現自己身處過去的殖民時代。隨著那首古老的民謠，他陷入永無止境的割膠循環之中。 　　When British colonizers first planted rubber trees in Indonesia, they paved the way for the future of the local economy, and the economic and cultural subjugation of the population. Accompanied by folk songs, an old man awakens in this poetic documentary, and begins to dance despite the deforested horizons of the present. 　　“I’m interested in the juxtaposition of textures in music and tempo in film, while translating the synthesis of sound, music, text and narrative into a symphonic sky of stars on a cloudless dark night – an encompassing space that is sincere, complex and has power to heal.” — Wey Yinn Teo

A compromising sexual video featuring a promising politician, it depicts the lives of four women forced to walk the line between public and private life.

A compromising sexual video featuring a promising politician, it depicts the lives of four women forced to walk the line between public and private life.

Intimnye mesta “私密地带”讲述的是中产阶级莫斯科的讽刺闹剧。他们每个人都有个人的秘密，隐藏其他 - “知心的一部分”。主角，一个可耻的摄影师伊凡，并列自己给别人。他坚信，人是天生的快乐，而快乐是自由忠于一个人的自我。真正的问题是：如何安全是它让你的内心呢？ 　　第48届卡罗维发利国际电影节 East of the West Award(提名)

Intimnye mesta “私密地带”讲述的是中产阶级莫斯科的讽刺闹剧。他们每个人都有个人的秘密，隐藏其他 - “知心的一部分”。主角，一个可耻的摄影师伊凡，并列自己给别人。他坚信，人是天生的快乐，而快乐是自由忠于一个人的自我。真正的问题是：如何安全是它让你的内心呢？ 　　第48届卡罗维发利国际电影节 East of the West Award(提名)

A rising politician's career is threatened when a surreptitiously recorded video of her sex life is leaked to the public.

女子高生の遥香は愛する恋人と初めてのセックスに臨むが、その最中に突如として自らの身体に異変が起こり、恋人の局部を食いちぎって彼を殺してしまう。恐怖のあまりその場を逃げ出した遥香は、誰かに相談することもできず不安と孤独に蝕まれていく。そんなある日、彼女はひとりの男性と出会い、言葉を交わすうちに彼に惹かれていくが……

女子高生の遥香は愛する恋人と初めてのセックスに臨むが、その最中に突如として自らの身体に異変が起こり、恋人の局部を食いちぎって彼を殺してしまう。恐怖のあまりその場を逃げ出した遥香は、誰かに相談することもできず不安と孤独に蝕まれていく。そんなある日、彼女はひとりの男性と出会い、言葉を交わすうちに彼に惹かれていくが……

讲述巴斯克著名摄影师Usabiaga的一段难忘的心路历程以及他如何将想法变成高雅优美的男性摄影艺术，同时也毫无隐私地阐述了他与模特们的关系。镜头跟随着Usabiaga为自己新书筹备拍摄，书中每一页都有不同的男模特，尽管他们都不是专业模特但每个都俊美得光芒四射。

This work is a cooperation with the long-time collaborator, scriptwriter Chen Wan-Yin. 　　The work is about a scriptwriter and a performer having a conversation in an animal taxidermist’s studio. They attempt to come up with a performance, exploring the relationship between ‘gestures’ and ‘horrors’. 　　The conversation revolves around two events from Japanese Taiwan during World War II. One is the memorial ceremony held in a zoo to commemorate animals that died during military operations. Animals such as elephants and orangutans were trained to kneel as a symbolic posture for mourning. The other reference is the 1944 massive animal execution in the Taiwanese zoo, intended to prevent civilian casualties caused by animals after the US military had bombed the cities. The unfortunate animals were then turned into taxidermy to preserve their movements and postures. 　　In addition to the dialogue between the two characters, both the Taiwanese Zoo and the zoo's taxidermy studio were architecturally reconstructed using 3D scanning technology.